Featuring music by Salvatore Sciarrino, Maurice Ravel, Peter Zinovieff / Aisha Orazbayeva, and Helmut Lachenmann.
Released on Nonclassical, 31 October 2011.
Track list
Salvatore Sciarrino: 6 Caprices for violin solo (1976)
1. N1 Vivace & N2 Andante [7.01]
2. N3 Assai agitato & N4 Volubile [6.17]
3. N5 Presto [4.10]
4. N6 Con brio [6.58]
Maurice Ravel: Sonata for Violin and Piano (1927)
5. 1st movement – Allegretto [8.06]
Peter Zinovieff / Aisha Orazbayeva: 5 Bagatelles from OUR violin and computer concerto (2010)
6. Scu [1.47]
7. Perc [1.58]
8. Extreme glissando [2.15]
9. Peg [2.21]
10. Stre [5.59]
Henri Salvador / Yuri Tsepin
11. Pchela I Babachka [2.10]
Helmut Lachenmann / Aisha Orazbayeva
Toccatina / Russian Song [4.14]
Nonclassical NONCLSS013
Aisha Orazbayeva (violin)
Matthew Schellhorn (piano)
Peter Zinovieff (computer)
Salvatore Sciarrino: 6 Caprices for violin solo (1976)
1. N1 Vivace & N2 Andante [7.01]
2. N3 Assai agitato & N4 Volubile [6.17]
3. N5 Presto [4.10]
4. N6 Con brio [6.58]
Maurice Ravel: Sonata for Violin and Piano (1927)
5. 1st movement – Allegretto [8.06]
Peter Zinovieff / Aisha Orazbayeva: 5 Bagatelles from OUR violin and computer concerto (2010)
6. Scu [1.47]
7. Perc [1.58]
8. Extreme glissando [2.15]
9. Peg [2.21]
10. Stre [5.59]
Henri Salvador / Yuri Tsepin
11. Pchela I Babachka [2.10]
Helmut Lachenmann / Aisha Orazbayeva
Toccatina / Russian Song [4.14]
Nonclassical NONCLSS013
Aisha Orazbayeva (violin)
Matthew Schellhorn (piano)
Peter Zinovieff (computer)
Fascinating interpretation [of Sciarrino]...You need to hear it".
The Wire
An "innovative sense of adventure... Yet another imaginative and compelling disc from Nonclassical"
I Care If You Listen
A hugely adventurous offering...Her remarkably fresh, direct, playing [brings] joyful life to everything she performs.
The Strad
Orazbayeva's articulation is as sharp and merciless as a white-hot needle honing right in on its target...Outside is bracingly, delightfully weird.
MUSO
[A] profoundly radical and inventive approach... [In OUR] astonishing far-out musical tones are created and generated with great assurance in a seamless mixture of acoustic playing and cyber-music...Here Orazbayeva displays her skill for steady, continuous sound and glorious atonalities, combining it with Zinovieff’s dark cybernetic utterances and producing a music so strange that you can taste it.
The Sound Projector
